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Trinity Church Organ Concert

Thursday, February 2nd, 2012

copyright Bettina Network, inc. 2012

THE PLACE TO BE on Fridays at noon is Trinity Episcopal Church in Copley Square, Boston, MA.

This past Friday there was an astounding organ concert played by Richard Webster (Trinity’s Music Director and Organist) and Colin Lynch (Trinity’s Assistant Organist).

To walk into the Church and see the organ taking its place in front of the altar just glowing from the way the light hit it, was stunning.  I wanted to just sit in a quiet place to contemplate the scene in front of me for awhile, but since I arrived just before the concert started, that didn’t happen. When you go to Trinity’s Friday organ concerts, I suggest you arrive at least 15 minutes early  to absorb what you see there.  When the organ moves to the front and center of the altar in such a breathtaking way, with the drama it creates in its new place does that make it a sacred icon?

The sanctuary itself  is beautiful, even when the organ is on the side out of view, with those incredible stained glass windows adding depth to the light flowing into the Church.  The first time I walked into Trinity it was 1980,  I felt as though I had come home.  I went kicking and screaming all the way because I had other places I would rather have been, however, that all left when I walked into the Church.  I thought it was a spiritual experience of homecoing until I learned the architect – H. H. Richardson – was from New Orleans and had incorporated much of the ambiance, culture and New Orleans Creole style into his architectural designs. After that bit of knowledge surfaced,  I realized that while there may have been something spiritual about that first experience of the Church, it was an actual feeling of homecoming from someone who was homesick.

Richard Webster opened the concert with  Nicholaus Bruhns’ Preludium in E Minor.  A Northern German Baroque piece which has a virtuosity  and richness which held its own in this environment.  A student of Dieterich Buxtehude, Nicholaus came from a family of organists, composers, violinists, etc.

I used to wonder why many of the great organ composers and performers came from family groups – parents who played and composed, siblngs who followed their parents, those who married the children of organists becoming great organists themselves – until I realized how difficult it is to find an organ on which one can practice without this familial support.  It is a rare instrument, which encompasses and can imitate all others.

Richard Webster’s opening of the concert with the Bruhns’ piece was beautiful.  It was very rich and Richard’s playing brought out the virtuosity of the piece.

The composition which reached me where I was living that day was Trois Movements for Organ and Flute by Jehan Alain.  Colin Lynch played the organ, Richard Webster played the flute.  I’ve heard both of them play before, but when Trois Movements started I was not prepared.  My favorite combination is organ and flute; my favorite composer in the organ world – Marcel Dupré – one of Jehan Alain’s teachers.  I had totally fogotten about Jehan Alain.  One can hear the romantic influences in this piece and its Andante movement gives you the meditation and contemplation needed in the space in which it was played.  After that, it lightens and was a great middle of the concert.

When one thinks of Alain it is with thoughts full of tragedy.  What could he have produced, but for the war which caused his death at a very early age?  Maybe that future knowing is what hangs over his music.  The ridiculousness and horror of war is showcased in this composer and performers’ life along with a clear showing, in microcosm, of what the world lost. One of the most moving pieces is to hear his Sarabande for Organ, Strings, and Timpani, which he dedicated to the memory of his sister Odile Alain.  For a very moving moment, if you can find a recording of it with Marie-Claire Alain on the organ it is a profound experience.

And of course, the ending of the concert.  What can I say – a perfect end to continue the rest of your day in a great place.  Colin Lynch played Marcel Dupré’s Prelude and Fugue in B Major.  Not expected in the middle of the day, but a huge treat and it was incredibly well played – you knew that the presene you felt was Dupré showing up after the first few measures to hear this performance.  Brilliantly, technically showing off  the virtuosity in Dupré’s composition and played the way it was meant to be played.

I can’t vouch for the rest of the organ concerts because I am not familiar with all of the organists to follow, but these two, Richard Webster and Colin Lynch,  made you want to return for more.

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Bettina Having Fun!

Saturday, November 26th, 2011

Our technology knowledge is moving fast.  You will find grapics, videos, music and more on Bettina Network’s Blog.

You will also find information about companiess and reviews of events.  For the company – these are not paid advertisements – we do not take paid advertisements.  These are comments and information from a member of the Bettina Network Community who has used the company’s services and/or products, thinks they are special and wants to share that information with the rest of the Bettina Network Community.

For events – someone from the Bettina Network decides which events we will attend and review.  If we attend an event, that does not mean that attendance will result in a review.  All of that depends upon what we think about what we have seen, heard and experienced.

Hope you enjoy the results – especially now that we have entered the picture age.

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Looking for a Great Holiday Present?

Tuesday, November 22nd, 2011

We think this would be an excellent gift for family – friends – colleagues – and those interested in what is going on in the world.  They can get the DVD or CD’s they want and listen to them – if they drive long distances – while going to and fro – or just when they want their brain, intellect and emotions stimulated with great information, history, ideas, etc.

 

From All of Us at Bettina’s

 Not sure what to give a friend, colleague, or relative for the holidays?

A Ford Hall Forum DVD or CD is the perfect gift!
Just send a check for $15 to the Ford Hall Forum and let us know which disc you’d like. We have DVDs from present day back five years, plus CDs of these special orators at the Ford Hall Forum:

Robert Frost

Martin Luther King, Jr.

Malcolm X

Gloria Steinem

Al Gore

Pete Seeger

Maya Angelou

Noam Chomsky

 

Or, click the “Donate Now” button and get them a

Ford Hall Forum membership!

DonateNow      

The Ford Hall Forum
Provoking Thought: Listen. Learn. Engage.

Suffolk University, 41 Temple Street, Boston, MA 02114
(617) 557-2007, jbonardi@fordhallforum.orgwww.fordhallforum.org 
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A Memorial to "Brother Blue"

Sunday, May 9th, 2010

Copyright 2010 The Bettina Network, inc.

We spent Saturday at a memorial service to Brother Blue – Dr. Hugh Morgan Hill. I say “we spent Saturday” because it started about noon and went on until about 4pm. At no time during those four hours did you want to leave. There were several hundred people present, coming from far and near – Maryland, Pennsylvania, North Carolina, Virginia, Arkansas, Canada, California – to name a few places of which we were aware.

Ruth Hill, Brother Blue’s wife, organized a remembrance of her husband which will last in memory as long as Hugh lasts in memory.

Some of you, who frequented Harvard Square, may remember Brother Blue. He was the “Character” dressed in blue, preaching, praising, storytelling, making you feel special as one of God’s chosen. When he raised his hand to welcome you showing you his palm, on which a beautiful butterfly had been painted, letting God’s blessings fly out to greet you – it was his version of the open, giving hand.

The service started with a procession into St. Paul’s Episcopal Cathedral in Boston which set the tone and called Brother Blue back for this performance in his honor. Tejo Ologboni, drummer, led the procession. He is amazing performing by himself, but leading this procession it was as though the roof lifted off the Cathedral, light shone in and the colorful Butterfly Puppets appeared following Ologboni. Their wings moved as butterfly wings move, their faces were bright and lit up with smiles that woke those in the congregation who Tejo Ologboni hadn’t yet touched – if such existed.

Memorial services tend to be beautiful, sad, very tearful with much longing and regret from missed opportunities hanging in the air, during and after. This one started with incredible light, color, shouts of joy, drums and more.

It was the first time I saw Brother Blue in the context of his community and it was glorious to see! We mostly saw him with Ruth, his wife, by his side telling stories, exorting, praising and calling those who passed by to be their best selves. In the context of his community you understood, finally, who Blue was and what his life had been about. “…I see through a mirror dimly, but then face to face…” could characterize this event.

A very long succession of people brought their talents and their being to pay tribute to Brother Blue.
Warren Senders – composer/musician from New England Conservatory composed, sang and got the audience caught up, with great gusto, in the chorus to his song which went:

“My brother Blue, My Brother Blue,
he was the kindest man I ever knew
he took your light and shined it back on you!”

The politicians were there and they normally dampen down any event they attend. These politicians must have been carefully chosen because they added to the remembrance and took it to a higher plane – Charles Yancey from the Boston City Council – who made us remember that Blue was the Official Storyteller of Boston, Alice Wolf from the MA. House of Representatives reminded us that he was also the Official Storyteller of Cambridge and had received many other honors as well; Kenneth Reeves from the Cambridge City Council; Byron Rushing also from the MA. House of Representatives who reminded us that we are in Blue’s story because he put us there and then he insisted on our being in everyone else’s story. Steven Tolman from the MA Senate said what Blue meant to him and the affect he had on Tolmans running for the Senate.

Blue was a storyteller, preacher, prophesied, danced, entertained. He had several mantras – one “The greatest thing you will ever learn is to love and to be loved in return.” And he clearly spoke that from a marriage which was an example of love and love returned.

A powerful performance was by Wendy Jehlen, dancer/Choreographer, Director Anikai Dance. The music to which she danced was a recording of Brother Blue’s breath. It was very moving and magnificent. Once you die, the one physical thing you no longer have is your breath – one thing you can no longer do is breathe. Your body begins to deteriorate because the breath which circulates the oxygen to keep you moving and living is gone. For a few very exquisite moments, Ms. Jehlen brought back Brother Blue’s breath and breathing.

Those gathered to remember Blue in the Cambridge/Boston area were the most truly diverse group I have ever seen in that area. When you die, your funeral and your memorial service say much about how you lived. As I looked around the Cathedral and saw the great diversity of people there to remember Brother Blue, it was a testament to his life. White, Black, Asian, Indian (both East and American), very prominent citizens, those who were clearly living on the edge, in various kinds of dress and comfortable in their clothes. And it was a group of people who lingered and talked in groups at the end of the remembrance and went from group to group even talking to those they did not know in a joyful, light-infused, animated conversation. A rare occurrence in this world.

Byron Rushing reminded us that one form of Brother Blues dialogue was “Praise Poetry” which came from Africa and was meant to authenticate who you are – not who the speaker is! Many spoke on the effect Blue had on them when they were in his audience. Rushing spoke on the effect it had on you when Blue was in your audience. It was a profound testament to the man we were remembering.

With Guy Davis‘ presentation – storyteller, actor, blues musician – there was dancing in the aisle and he was beautiful and extremely talented. Elizabeth Morse‘s harp music was a beautiful meditation which brought us back to the sacred. Ms. Morse is someone Blue asked to accompany him over the years.

Eliot Fisk, classical guitarist, was the final person giving a testament to Blue and it was a musical gem.

I saw, for the first time, the power of the Story. We heard about Dr. Hill’s end time in a rehab facility, which will never be the same again, and it was beautiful because you knew through the story that he didn’t ever lose his humanity or identity or interest in others, nor did he stop blessing others. The story about the “Star Child” – one born prematurely and on the life support systems in which we put some of our children – being told stories by his father with his head pressed against the plexiglass and we heard the father’s promise to continue to tell to bring his child in, the way an air traffic controller brings in an airplane.

It was the remembrance of and homage to a man who made his vulnerabilities into a tower of strength and shared his light and blessings with others. It all ended with a video of Hugh Hill over the years. His voice narrated the message which is one he preached over and over again during his life. It was all done with the background music being different renditions of America the Beautiful.

You left knowing your life had been touched by a truly great human being, who walked this earth in his bare feet and brought goodness, kindness and love to many as you heard story after story of how he so positively affected the lives of literally thousands of people.

Our “Praise Poetry” to Dr. Hugh Morgan Hill comes from his obituary: “Most often known as “Brother Blue” Dr. Hill has degrees from Harvard, Yale and the Union Graduate School…. He wanted his stories to be ‘bread for the mind, the imagination, the heart, the soul. He said, ‘I SOUL my stories out, to speak from the middle of the middle of me to the middle of the middle of you…..’ He presented workshops in prisons, schools, colleges and universities, libraries, and conferences and told stories before countless audiences via radio and television, and in person in streets, parks, and festivals in the U. S. Canada, Europe, South Africa and the Bahamas. Among them were First Night Boston, the World’s Fair in New Orleans, Lincoln Center, Spoleto Festival, United Nations Habitat Forum, yukon Storytelling Festival, the National Storytelling Festival and Sharing the Fire in New England. He received many awards and was storyteller-in-residence for the Harvard Law School’s Saturday School and much more.”

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Response to Disaster in Haiti

Tuesday, January 26th, 2010

One response the Bettina Network, inc. made to the disaster in Haiti was to respond to a request from a bed & breakfast guest and now a friend, to give a one night stay at a Bettina home in Harvard Square for the silent auction being held by the town of Weston, VT.

We were delighted to respond and grateful that we were included and able to do a little more to help those in such shock and pain.

The event was held this past Saturday (January 23, 2010) and was, by all accounts, a very successful undertaking. Kudos to the town of Weston, Vermont for being involved and for moving so quickly to help address such an enormous need! Proceeds from the auction were sent to Partners in Health to further their work in Haiti.

What made it special to us were the number of people who gave a part of their work and talent: one woman gave cookies – to be baked at a time requested by the successful bidder. She had samples of the cookies at the event to encourage bids. Another gave her special carrot cake, also to be baked at a time requested by the successful bidder – and she also had samples. And there were more.

It is wonderful to give money – that is what’s needed in the end – but to also involve yourself and give something which takes time out from busy lives is indeed special. It insures that you will think of the Haitians undergoing such trauma, after the fund-raising event and will put your hopes and wishes for them into whatever it is you have made.

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Nuller and VanSlyck in Concert

Thursday, April 2nd, 2009

copyright by Bettina Network 2009                       New School of Music

Sunday, March 29, 2009 at 3pm                              25 Lowell Street
                                                                                      Cambridge, MA. 02138
                                                                                      617 492 8105
                                                                                      www.newschoolofmusic.org
Margarita Nuller, a graduate of St. Petersburg Conservatory, Russia and Trudi Van Slyck, co-founder of the New School of Music, played an amazing concert.  It was a concert you want to retain in your memory and replay many times.
Some comments from guests on hearing Nuller play “it was like listening to Rachmaninoff”, I wonder if others (in the audience) know the incredible virtuoso they are hearing,” “it is rare to hear such a performance.”
The order of the program was genius.  In the middle of the program Trudi Van Slyck played ‘Wintertime I and II by Robt. Shumann, following which Van Slyck and Nuller played a two piano piece by Nicholas Van Slyck entitled “Winter-Time” for two pianos (in memoriam, Robt. Shumann).  It was an especially powerful moment when you knew that Trudi Van Slyck is the widow of Nicholas Van Slyck, the composer.  In addition, it was powerfully played.
Nuller’s Beethoven Sonata in Eb Major, Op. 27 #1 is rarely heard at the level at which she played.  Her interpretation seemed to come from the fact that she had totally internalized the piece.  It was not the loud, overreaching, rushing to the end interpretation that one gets used to, it was played so that you knew and felt why Beethoven is such a giant.
My favorite was the Chopin “Sonata in B minor, Op. 58″ – a piece I’ve loved since childhood.  To hear it played with such technical perfection and beauty at the same time was an experience I won’t soon forget.
When the audience had eaten and left and only a handful of us remained, the treat of the evening was an encore Ms. Nuller played from Franz Liszt.  A piece you won’t hear often because it is one of the virtuoso pieces Liszt wrote knowing that only a few would be able to play it.  Nuller played it to perfection and note perfect.
All in all a wonderful afternoon and evening of truly exceptional music.
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