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Posts Tagged ‘New Orleans’

Ginger/Maple Syrup/Popcorn

Friday, July 27th, 2012

copyright Bettina Network, inc. 2012

We discovered a great way to make popcorn – almost by accident.  And isn’t that the way all great things happen?  Does that mean all of us – human beings – are accidental creations?

Organic ginger is what started us on the road to this fantastic snack.  Healthy, quick to make and great tasting.

Start with a pound or two of organic ginger.

Wash the ginger in cold running water with a vegetable brush

because you don’t want to take the skin off the ginger.  Many of the nutrients you want for your body are in the skin.

Somewhere in this blog – try clicking on “Health” or “Bettina Cookbook” – is a recipe for Ginger Tea.  Follow that recipe or what follows from my memory.

Put the organic ginger in a large pot and fill the pot with water

Add a bit of Organic Turbinado Sugar to your taste

Put a cover on the pot and let it boil, then simmer for a couple hours.

At the end of this process pour the hot water – now Ginger Tea – into the glass containers you use to store  tea in the refrigerator.

If you don’t have such glass pitchers, containers, whatever – now is a good time to get some so you can constantly keep one kind or another of your homemade tea in your refrigerator to use whenever you want a little break with a great drink.  That is as close to ‘fast food’ as we come – pre-make it for the future to be able to just open the refrigerator and eat or drink.

Now you have Southern Sweet Tea and you can serve it to friends, relatives, – those you want to have good health going forward.  This tea is fantastic.  It stimulates the body; cools you down in summer; helps your digestion – at least that is what it does for me.

If you don’t like “Sweet Tea”, then just boil the organic ginger root by itself without adding the Organic Turbinado Sugar.

Once you have poured out and saved the water in which you boiled the organic ginger root you are ready to begin the process of making the popcorn.

Take the ginger root left in the pot.  

Add one cup organic turbinado sugar, two cups water, one cup maple syrup and let that simmer covered on the stove until you get a heavy syrup (somewhere over 240 degrees on a candy thermometer)

Once you get syrup of the right consistency – pour the mixture onto a cooling plate or into a medium-sized Corning pot 

If you want to make the ginger root into candied ginger,  take  the ginger root out of the syrup – roll it in organic turbinado sugar and put it aside.

                             Now comes the fun:

With your AIR POPCORN POPPER -

no, not the same one you use to roast coffee in the mornings, unless you want to add a coffee taste to your popcorn (which might not be so bad)

Pour the amount of unpopped corn you want to use into the measuring cup, which comes with the Air Popcorn Popper

 plug in the Popcorn Popper

and let the smells permeate the house and your nostrils so you are ready for goodies to come.

Don’t forget to put a large bowl next to the Popcorn Popper to catch the corn as it comes out beautifully popped, hot with gorgeous smells!

While the corn is popping, melt 1/2 cup organic butter

(what do you expect, I am from New Orleans with French ancestors.  Two facts which put butter into my DNA)

 Mix the ginger syrup with the butter and let it simmer until the two are nicely mixed.

 Carefully and very slowly drizzle this mixture over the popped corn

 stopping intermittently to mix the popped corn and the syrup together.

Be very gentle with the freshly popped corn.  You need to watch to make sure you don’t pour the hot syrup too fast or mix the two together too vigorously because you could turn your popped corn into a sludgy mess.

Don’t use too much syrup – just a light drizzle because

- less is more in this case.  If you like thickly coated popped corn because you were raised on that heavily coated caramel corn then have a ball and use as much syrup as you want to create that affect.    I was raised on that heavily coated caramel corn and stopped eating it when I became an adult.

This popped corn brings back those memories – gives a fantastic adult taste – and is especially good when you use the syrup lightly and sparingly.

If you want to go a step further and cut the now candied, ginger into really tiny pieces you can mix those tiny pieces into your Ginger/Maple Syrup/Popcorn for an additional unidentifiable, except to the most sophisticated palates, taste.  Makes a nice substitute for those candied peanuts that sometimes still appears on the grocery store shelves.  Nice, the ginger is quite lovely and brings this snack to new heights!

enjoy!

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Two Thousand &5, Seven Years Later

Monday, April 9th, 2012

copyright Bettina Network, inc. for Jonathan Betts Fields 2012

 

Kid musicians battle the id

further justice through thick and then

permeate airwaves with soul and posture

colorful words, diaphragm of opera

from Shakespeare to Jay Z, defying nostalgia

sleep new dreams and pray for contagion

well blended harmony’s the weapon we’re waving.

 

Speaking voices are perfectly proper

they laugh as would English speaking sea otters

returning to homes that float or submerge

to wash away souls, you’ll need more than dirge

we don’t sink or swim, we’re one with the water

if we were to leave we’d abandon our power

we hold hands through inverted rain showers.

 

Zatarain’s ain’t got nothin’ on me –

neck cocked back like an expected sneeze

horns high in the sky, catchin’ the breeze

high hat attacks the air – killer bees

strings intertwined – tangled webs they weave

toe tappin’s impossible without bendin’ knees

sea perseverance, revitalize New Orleans.

 

 

I could hear applause in the distance. The woman from the registration table saw me wandering a bit and ushered me in the correct direction. I visited Shady Hill School to support the new friends I met over a three-course breakfast at a Bettina Network home. I could hardly wait to partake in the celebration straight from New Orleans.

 

I thought I missed them. Then, in walked a league of extraordinary men and women. A palpable increase in energy met the trumpet, trombone, tuba, two drums and the voice. The esteemed Executive Director and the mother of the younger drummer completed the entourage. The performers reemerged as teachers, and continued to represent the Ellis Marsalis Center for Music and Musicians’ Village professionally, passionately and extremely well.

Their workshop, entitled “Vision, Perseverance and Revitalization” was one of many during Shady Hill School’s Diversity Conference. For middle school students to entertain large notions like “Social Justice” and “Equity Through the Arts” could have been a daunting task; the school’s staff made it age relevant and all wore smiles while they worked. The kids were comfortable and eager take their music lesson serious, possibly borrowing a page from the acutely gifted drummer boy.

 

Calvin, the band leader and head teacher instructed the students to listen to the global sound and to identify the role of each instrument in the piece they were to play. The band played Duke Ellington’s “C Jam Blues.” The Shady Hill students listened. Then they were divided into sections, and the auditorium became a conglomeration of progress. For brief moments, some instruments synched: first were the strings & percussion sections. Then the brass and woodwinds danced. All the while, you could hear the Ellis Marsalis Center musicians chiseling away unnecessary sounds.

 

The Jazz Workshop Ensemble began playing with the speed of ducklings following their mother across a busy street. Once across, the piano and drums were occupied by a new set of feet and hands, and the trip began again. The trips back and forth steadied the ensemble’s sway and allowed for inspired improvisation. Before the last group began their end-of-workshop recital, Calvin shared some knowledge that reached beyond playing in a jazz band: “If you can’t hear the person next to you, you’re playing too loud.”

Much love,

Jonathan Betts Fields

www.GlobalJon.com

MeLlamoGlobalJon@gmail.com

facebook.com/GlobalJon ~ twitter.com/GlobalJon

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Trinity Church Organ Concert

Thursday, February 2nd, 2012

copyright Bettina Network, inc. 2012

THE PLACE TO BE on Fridays at noon is Trinity Episcopal Church in Copley Square, Boston, MA.

This past Friday there was an astounding organ concert played by Richard Webster (Trinity’s Music Director and Organist) and Colin Lynch (Trinity’s Assistant Organist).

To walk into the Church and see the organ taking its place in front of the altar just glowing from the way the light hit it, was stunning.  I wanted to just sit in a quiet place to contemplate the scene in front of me for awhile, but since I arrived just before the concert started, that didn’t happen. When you go to Trinity’s Friday organ concerts, I suggest you arrive at least 15 minutes early  to absorb what you see there.  When the organ moves to the front and center of the altar in such a breathtaking way, with the drama it creates in its new place does that make it a sacred icon?

The sanctuary itself  is beautiful, even when the organ is on the side out of view, with those incredible stained glass windows adding depth to the light flowing into the Church.  The first time I walked into Trinity it was 1980,  I felt as though I had come home.  I went kicking and screaming all the way because I had other places I would rather have been, however, that all left when I walked into the Church.  I thought it was a spiritual experience of homecoing until I learned the architect – H. H. Richardson – was from New Orleans and had incorporated much of the ambiance, culture and New Orleans Creole style into his architectural designs. After that bit of knowledge surfaced,  I realized that while there may have been something spiritual about that first experience of the Church, it was an actual feeling of homecoming from someone who was homesick.

Richard Webster opened the concert with  Nicholaus Bruhns’ Preludium in E Minor.  A Northern German Baroque piece which has a virtuosity  and richness which held its own in this environment.  A student of Dieterich Buxtehude, Nicholaus came from a family of organists, composers, violinists, etc.

I used to wonder why many of the great organ composers and performers came from family groups – parents who played and composed, siblngs who followed their parents, those who married the children of organists becoming great organists themselves – until I realized how difficult it is to find an organ on which one can practice without this familial support.  It is a rare instrument, which encompasses and can imitate all others.

Richard Webster’s opening of the concert with the Bruhns’ piece was beautiful.  It was very rich and Richard’s playing brought out the virtuosity of the piece.

The composition which reached me where I was living that day was Trois Movements for Organ and Flute by Jehan Alain.  Colin Lynch played the organ, Richard Webster played the flute.  I’ve heard both of them play before, but when Trois Movements started I was not prepared.  My favorite combination is organ and flute; my favorite composer in the organ world – Marcel Dupré – one of Jehan Alain’s teachers.  I had totally fogotten about Jehan Alain.  One can hear the romantic influences in this piece and its Andante movement gives you the meditation and contemplation needed in the space in which it was played.  After that, it lightens and was a great middle of the concert.

When one thinks of Alain it is with thoughts full of tragedy.  What could he have produced, but for the war which caused his death at a very early age?  Maybe that future knowing is what hangs over his music.  The ridiculousness and horror of war is showcased in this composer and performers’ life along with a clear showing, in microcosm, of what the world lost. One of the most moving pieces is to hear his Sarabande for Organ, Strings, and Timpani, which he dedicated to the memory of his sister Odile Alain.  For a very moving moment, if you can find a recording of it with Marie-Claire Alain on the organ it is a profound experience.

And of course, the ending of the concert.  What can I say – a perfect end to continue the rest of your day in a great place.  Colin Lynch played Marcel Dupré’s Prelude and Fugue in B Major.  Not expected in the middle of the day, but a huge treat and it was incredibly well played – you knew that the presene you felt was Dupré showing up after the first few measures to hear this performance.  Brilliantly, technically showing off  the virtuosity in Dupré’s composition and played the way it was meant to be played.

I can’t vouch for the rest of the organ concerts because I am not familiar with all of the organists to follow, but these two, Richard Webster and Colin Lynch,  made you want to return for more.

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A Wonderful Concord Christmas Story

Saturday, December 31st, 2011

copyright Bettina Network, inc. for Barbara Marden 2011

A few days before Christmas I was giving a friend’s out of town visitor a tour of the house.  My friends six year old son David was with us and did he get excited when I showed him  a secret place to store treasures.  It was in our main bed and breakfast bedroom above the fireplace mantelpiece. Our “restoration” carpenter from New Hampshire created that little cavern when he tore down the wall above the mantelpiece and put shelves in the recess. David was less impressed by my description of what we found when the wall was torn. The major items were a ladies button boot, a breast pump, and some letters, each offering consolation for the death of a child.  Losing a child was apparently a common event for families from the time our house was built in the early 1700s through even later times.

 

One of the letters, three pages long, and now in the Concord library, showed beautiful handwriting similar to our forefathers’ writing of our Constitution. It was a letter from Cyrus Barrett to his sister Sally, who had married into the Wood family living in our house. The Barrett family house is now being restored as part of Concord’s historical park.  The Minutemen had ammunition hidden in the Barrett’s cornfield the day of the shot heard round the world. Written in New Orleans in 1819, Cyrus first offered condolences over a son’s death  and continued by describing a familiar theme, an economic downturn. I have not corrected the spelling in the following quotes:

 

“I was much affected by the maloncholly intelligence contained in your letter of the sudden death of your affectionate and much loved little John.  I recollect him perfectly and have often been amused by his innocent playfulness.  I am not surprised that his death should occasion the deepest sorrow in you, yet at the same time you are left with the comfortable assurance that he is happier than your fondest wishes and care could have made him.”

 

“New Orleans has for some time past been suffering under a heavy weight of commercial embarrasement.  Many of her most enterprising Merchants have failed and those who continue in business are constantly complaining of heavy taxes.  The Produce of the country is extremely low. Cotton which formerly sold for 30 cents now sells for 16 cts and other articles have suffered the same depression in values, but notwithstanding the times look so gloomy we are looking forward for a change.”

 

Thinking about the letters makes me glad to be alive today.  In spite of all the economic and political problems, we are saved the grief of losing so many children.

And of course so many of our tasks are much easier, for instance baking these Russian tea cakes I gave my friend to take home.  They make excellent cookies for any occasion.

 

INGREDIENTS AND DIRECTIONS FOR BAKING RUSSIAN TEACAKES:

 

1 cup butter                           1 teaspoon vanilla (or brandy)

½ cup confectioners sugar        ¾ cup chopped pecans

2and ¼ cup sifted flour             1 cup confectioners sugar

 

Cream shortening and sugar. Stir in vanilla.  Add flour and then nuts.  Form 1” balls and bake 14 to 17 minutes in 325 oven. While still hot roll carefully in confectioners sugar.

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